Imagine a scenario where a performance is excellent except that one note has been left a bit short. Things just get even cleverer with the Morphing Time-stretch tool. However, Pitch 'n Time LE makes the plug-in available for the first time to Logic users. You also don't get the variable time-stretch and pitch-shift features, the waveform views or the varispeed options. What you don't get with the LE version is the multi-channel facility where it is possible to treat up to 48 tracks together and maintain their phase coherency.
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Serato have recently released an LE version of Pitch n' Time which shares the same algorithm as the full version, so there's no reduction in quality. The whole plug-in works just as if it was a real time plug-in, to the extent that I kept inadvertently pressing the space bar to audition things instead of using the Preview button! Once I was happy I clicked on Process in the normal way for an Audiosuite plug-in and there it was back in the track, done. Use the Preview button to check it works. To get the waveform in the plug-in window you click on the 'Update Waveform' button at the bottom of the plug-in window you can then draw the rit by creating 'anchors' through Command-clicking, just as you would with track automation with the Smart Tool enabled.
I selected the end of a chorus and took the selection beyond into the bridge so as to be able to control the return to the normal tempo as well. I tried creating a rit in the rock opera clip. You can draw the 'rit' just as if it were automation on a track. The first of these is Variable Time-stretch, the obvious application of which is to create a ritardando in a source file that didn't have one. To access the other Pitch 'n Time panels you click on the triangular Mode icons. For music I didn't go beyond the 2x setting, but the more extreme settings available are great for creating and treating special effects. In short, Pitch 'n Time will reach the limits of the sound of the source material before artifacts from the tempo-change processing become a problem. The slowing down wasn't as spectacular, but again, that was down to the limitations of the sound and what happens when you slow down a performance by extreme amounts. It was easily handling speed increases of up to 50 percent, and it was a revelation to find that the first problem to become noticeable was vibrato on the vocal and strings becoming too fast. I tried the drum & bass track first, which seemed fine, but where Pitch 'n Time really started to show what it is made of is with the rock opera and solo ballad clips. I mainly used the same samples that I used in the my recent shootout of Pro Tools limiter plug-ins, as they cover a wide range of material to test out Pitch 'n Time 's abilities.
Pitch 'n Time's Variable Time-stretch panel allows you to create ritardando effects.The tempo adjustment is nothing short of stunning.
In addition, right at the top of the window are some general controls which include a range selection from 2x to 8x as well as two different algorithm modes, one which suits more tonal sounds and the other which is better on more transient sounds. Finally, at the bottom is the Pitch section, which also has three modes - Fixed, Variable and Varispeed. Next there is the Length section, which shows the start, end and length of your selection you can edit the source or target data from here and the information in the corresponding section will be updated. Starting from the top there is the Tempo section, which offers three modes - Fixed, Variable and Morphing. The Pitch 'n Time window has three main sections.
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Pitch 'n Time Pro works as an Audiosuite plug-in in Pro Tools, and is compatible with both Mac OS X and Windows XP. It's also possible to treat multiple tracks (up to 48 of them!) simultaneously and retain their phase coherence. However, although it is an off-line plug-in, Serato have cleverly enabled automation options that you would otherwise only find in a real-time plug-in, thus making post-production ritardandos ('rits') possible. It isn't available in any real-time format, as these require a plug-in to have a 1:1 input-to-output ratio in respective of the number of samples - time-stretching, which involves changing the number of samples, can only be done with a file-based plug-in. Serato's Pitch 'n Time Pro is a plug-in that enables you to vary the pitch and/or the tempo of your source material. Serato's Pitch 'n Time has carved out a reputation as one of the best time-stretching and pitch-shifting plug-ins out there, with special features including 'morphing' time-stretch and the ability to recreate varispeed effects.